Breyer has made many unforeseen moves in its nearly 70-year history, and I missed the beginning of most of them. However, I'm proud to say that there was one I was in on from the start: Breyer's foray into clinky-dom, with the Breyer Gallery.
I wasn't actually all that impressed with the earliest efforts -- the so-called cold cast porcelains which debuted with Spotted Bear and Galaxias in 1991, followed quickly by Secretariat and Fashionably Late in 1992. I actually saw some of these when they were still brand new, and I couldn't see the point in paying such (at-the-time) big bucks for what were essentially re-releases of existing molds. They didn't even bother to change the colour on Secretariat, for heaven's sake. Word went 'round really quickly, too, that they didn't stand up to much handling -- many arriving broken into the hands of those who ordered them. Most, if not all, of them were SRs for American stores anyway, so I wasn't the least bit tempted by them, although I was intrigued by the concept.
Also in 1992, though, Breyer released their first fine porcelain horse: the Icelandic stallion sculpted by Kathleen Moody. Now here was a horse who hit me where I lived. Granted, his colours were a bit stark, but he was a brand new sculpture and his box pictured at least two more new sculptures to come. And as a bonus, he was not at all difficult to get hold of. Back in those days I used to travel into North Dakota quite frequently, and there he was sitting on a shelf in a Home of Economy store. Easy peasy.
It was a love that couldn't last |
However, my Breyer porcelain collection stopped there temporarily. I felt that 1996's Circus Ponies were a little washed out in colour, and 1996's Saddlebred turned out to be a little bit harder to get, and I had heard that portions of his costume were in fact plastic rather than porcelain. 1997's Great Horse was getting into shelf hog range again, and while I was briefly tempted by 1998's Indian Pony, the 1999 Drum Horse was another "no" for me.
Aside from the smaller pieces, like the Stablemates and the performing Misty, Breyer's porcelains didn't tempt me after that until a couple of years after the release of Giselle in 2008. I first saw her in person at a live show and suddenly I knew that this was a horse I had to have. But I'd missed out on her initial offering -- how on earth would I ever get one?
Model Horse $ales Pages to the rescue. I couldn't believe my eyes when I found one for sale on those pages at a price comparable to her initial offering. It wasn't long after that that she became mine.
My love just goes on and on |
Breyer hasn't really released a large free-standing porcelain horse since Killarney in 2012. They've been concentrating on resins and crystals in the Gallery since then.
The clinky collector in me is still waiting for them to come out with some great new porcelains; it could happen. Until then, I'm very happy with my little crew -- to me, they're some of the best that Breyer has to offer.
You have good taste. I too could not resist Giselle (and her baby), thus raising my porcelain count from 2 to 4. :) The other two are the parade ASBs: I helped Kathy design the 1996 one and was given a free copy. Yes, the stirrups (tapaderos) are plastic. I glued them in place in order to hang them right.
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